Wordsalad

July 26, 2007

playlist 26 july

Filed under: Uncategorized — paul @ 3:45 pm
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Words
Adam fieled. Rowdy dream; Illinois sky. compilation

Andrea Gibson. For eli. When the bough breaks.

Ani di franco. True story of what was. Educated guess.

Ani di franco. Parameters. Knuckledown.

Frank burton. Sign of the times. collected words: the poetry album.

Jane ormerod. The duration is killing me; Weather tales. Nashville invades manhattan.

Janet kuypers. Passport 2 outer space. Compilation.

Julianna spahr. Gentle now, don’t add to the heartache. American Poets in the 21st century. Wesleyan U Press.

Mike daily. Follow your heart; God is my friend. Roads Less Traveled. alarmdailynovel

Minton sparks. Sin sick soul; Vickie pickle’s momma. Sin sick.

Richard kostelanetz. Openings and closings (excerpt). Openings & closings.

Ward abel. Simplex the onion; Things left behind.

Music
Gregory Taylor. Amalgam-1: silicon/bronze. RTQE records.
Tom Hamer/Gregory Taylor. There(after). RTQE records.

July 23, 2007

Book review: Girly Man

Filed under: Uncategorized — paul @ 11:36 am
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Girly Man
Girly Man.
Charles Bernstein
University of Chicago Press, 2006.

“We girly men are not afraid
Of uncertainty or reason or interdependence
We think before we fight, then think some more
Proclaim our faith in listening, in art, in compromise.”

Charles Bernstein’s writing combines a scholar’s discipline, an advocate’s passion, a theorist’s breadth, and a readiness to deflate everything with a good joke.

In Girly Man, anything can serve as inspiration. The verses in the “Reading Red” sequence respond to 25 paintings exhibited by Richard Tuttle in 1998. “In Parts” was written with Tuttle for the catalog of a gallery show, In Parts, 1998-2001.

Highway signs inspire titles: “Bridges Freeze Before Roads”; “If You Lived Here You’d Be Home Now.” “Warrant” was intended as a lyric for the composer Charles Bernstein’s tune, the theme for “Nightmare on Elm Street.” Koans, proverbs, and cliches serve as models for “Pomegranates” and “Self-Help.”

War inspires much of Bernstein’s work.
”War is never having to say you’re sorry.”
“War is the opiate of the politicians.”
“War is other people.”
“Some of These Daze” provides a first-person reaction to the attacks on the World Trade Center.

Politics inspires “The Ballad of Girly Man,” written in response to California Governor Arnold Schwarzenegger’s speech to the Republican National Convention, in which he taunted opponents of the Republican Party as “girly men.”

Bernstein enjoys humor. He could write news for The Onion and you wouldn’t realize it was produced by one of the leading academic poets and critics of our time (“Slap Me Five, Cleo, Mark’s History”). (Perhaps he already has?)

He’s among those rare writers who can perform their works effectively, and you can hear recordings online at Penn Sound and at the Electronic Poetry Center

In addition to new material, this volume collects some published before: “Let’s Just Say” and “World on Fire” were originally published as pamphlets.

July 21, 2007

Book review: Reimagining Textuality

Filed under: Uncategorized — paul @ 2:12 pm
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Reimagining Textuality: Textual Studies in the Late Age of Print
Edited by Elizabeth Bergman Loizeaux and Neil Fraistat
U of Wisconsin Press, 2002

What is textuality at the beginning of the 21st century?
What does it mean to have a political culture mediated by the Web, where content can be sliced, diced, and recontextualized by and redistributed by hundreds of web sites?
Elizabeth Bergman Loizeaux is associate professor of English at the U of Maryland, where Neil Fraistat is professor of English. They offer a series of essays that address these questions from several perspectives.
As a discipline, they write, textual studies provides a broad umbrella for a host of subfields concerned with the production, distribution, reproduction, consumption, reception, archiving, editing, and sociology of texts. Scholars are exploring textuality beyond the printed word and assembled book, treating for the first time as the object of textual scholarship other cultural products that postmodern theory has been reading as texts.
They argue that the methods and concerns of textual scholarship are shaping and being shaped by other kinds of textuality beyond the book. Chief among these kinds is electronic textuality, which is creating new forms of textuality and making possible new ways of reproducing editing, and archiving texts.

Reimagining Textualityfocuses on three fields in which textual scholarship and postmodern theory and criticism are beginning to talk to each other about text and textuality in especially innovative and suggestive ways: textual editing, verbal-visual studies, and cultural studies.
The essays in the first section introduce current issues in textual scholarship, demonstrating the contributions made by postmodern theory over the past 15 years to editorial theory and practice. The essays in the next section grapple with the materiality of the text, in particular the visual component. The final section pursues intersections between textual studies and the fields of cultural studies and postcolonial studies.
Jerome McGann’s essay underscores the necessity for continued reimagining of the modes and methods through which we reproduce scholarly texts, especially as we work through the implications and possibilities of electronic textuality.
Daniel Ferrer argues that hypertext is not only a nonsequential body of verbal data, but is also a collection of electronic instructions and commands keyed to the verbal data, which allow it to be reorganized and reprocessed at will, keeping it in a state of flux. Hypertext, or rather hypermedia, offers a much more statisfying practical solution than the usual format of the critical edition.
Charles Bernstein writes that, for the generation now learning to read and write on computers, the medium of writing has radically and inalterably changed in ways that can be called hyperalphabetic if not postalphabetic. The association of picture, font, color, sound, link, and design creates a writing space that is closer to William Blake’s practice than it is to the school notebooks he grew up with.
Tim Hunt argues that textuality is historically conditioned and its terms and processes are intertwined with both social and technological conditions. Oral and literate cultures evolve different procedures for inventing and conserving verbal works, and ‘orality’ and ‘literacy’ encourage qualitatively different logics and styles of cognition.
New modes of storage: film, audio tape, video tape, and various digitized media, like written language — can be used to store, multiply, and circulate cultural products.
The performative and the compositional interact in varying ratios in the work of different individuals and graditions. These ratios, along with the interacting dynamics of different modalities of storage, transmission, and consumption, can be viewed as what we might call a rhetoric of textuality.
Stuart Moulthrop writes that electronic textuality is indeed something like barthesian or foucauldian texte: a teeming network of possibilities in which the evidence of the particular both excludes the general and testifies to its fecundity.

July 19, 2007

playlist 19 july

Filed under: Uncategorized — paul @ 1:23 pm
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Words
frank burton. Epiphanies; kev’s got a satellite. collected words the poetry album.

jane ormerod. taxi ride; the bowling green at night. nashville invades manhattan.

jesse glass. mourn him; untitled sequence. compilation. ahadada books.com.

karen finley. lost hope. a certain level of denial. rykodisc.

kathleen fraser. anna are you looking at me; somebody who is hooked. penn sound.

lawrence ferlinghetti. baseball canto. live at the poetry center. poetrycenter.org.

maja ratkje. trio. voice. rune grammofon.

mike daily. Alarm; god is my friend. alarm. alarmdailynovel.

minton sparks. fill her up; sorrow knows this dress. this dress. mintonsparks.com.

rachel kann. when i lie down beside u. compilation. inspirachel.com.

ward abel. side trip on the way to arles; this valley is full of water. compilation.

Music
eric cook. steady state theory. asymptosy. public eyesore.
expo 70. I. center of the earth. exposeventy.com.

July 13, 2007

Save Net Radio

Filed under: Uncategorized — paul @ 1:52 pm

Save net radio

July 12, 2007

Madison to host 2008 slam nationals

Filed under: Uncategorized — paul @ 3:14 pm
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Poetry Slam Inc

If you like slam poetry, Madison will be the mecca next summer as we host the 2008 national poetry slam competition. Holy cow. All that talent walking around here, all those smokin’ performances, all these venues. . . . I’ll be chasing people for interviews and asking people to guest on Wordsalad. Maybe I’ll be able to meet Mr. Indiefeedpoetry himself, Mongo! Can’t wait to pick up a copy of the “Best Of Madison” CD. For more info about PSI. . .

playlist 12 july

Filed under: Uncategorized — paul @ 1:36 pm
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Words
Artist. track. cd title. label
al young. lester leaps in. a century of recorded poetry. rhino

carolyn forche. the island. academy of american poets anthology. poets.org

corbet dean. last call; mother knows best. collection of crime scenes. corbetdean.com

diane wakoski. i have learned to live with my face. a century of recorded poetry. rhino

frank burton. eleven eleven; the BBC returns. collected words: the poetry album.

jane ormerod. nashville invades manhattan; raging bull. nashville invades manhattan. Janeormerod.com

janet kuypers. technonlogy and community. compilation. janetkuypers.com

karen finley. act of conscience. a certain level of denial. rykodisc

louise gluck. matins. academy of american poets anthology. Poets.org

maja ratkje. joy. voice. rune grammofon.

rita dove. the other side of the house. academy of american poets v 1. poets.org

stephen ausherman. eulogy for an assassin. the bernheim sessions. restlesstribes.com

taylor mail. falling in love. conviction. wordsmith press.

taylor mali. screaming naked. the difference between left and wrong. wordsmith press

Music
koji asano. mild morning I & II; rift in the cloud. sunshine filtering through foliage. solstice
valentin silvestrov. postludium n. 1 and n.2. sonata for violincello and piano. ecm

July 11, 2007

The Wordsalad studio

Filed under: Uncategorized — paul @ 8:02 pm

So where does this show get put together?

Wordsalad studio

A good poem

Filed under: Uncategorized — paul @ 7:31 pm

Crankshaft

July 5, 2007

playlist 5 july

Filed under: Uncategorized — paul @ 1:27 pm
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Words
artist. track. cd title. label
anne sexton. Lullaby; ringing the bells. voice of the poet. random house audio
dylan thomas. still falls the rain. the caedmon collection v 4. caedmon
james merrill. the smile. academy of american poets anthology. www.poets.org
joan retallack. Here’s looking at you francis bacon; not a cage. Buffalo NY 22 sept 93. penn sound
john cage & kenneth patchen. along the river. The city wears a slouch hat. mode
kurt kroncke. clobberheads. kronkaphone.
lisa gill. Ginger; milk thistle. mortar and pestle. reckless faith
margaret cho. dixie chicks; i can’t tell asians apart. revolution. nettwerk
mark strand. from a litany. academy of american poets v 2. www.poets.org
mary oliver. bone. at blackwater pond; the buddhas last instruction. at blackwater pond. beacon press
renda writer. cubicle cages. eclectic poet. Rendathepoet.com
richard wilbur. love calls us to the things. caedmon poetry collection v 2. caedmon
tom raworth. caller. studio 111. penn sound

Music
chas smith. Descent; endless mardi gras; false clarity. descent. cold blue

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